Mflare 2

Flare 2
Mflare 2 Free
Flare 2.5 Download
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Review: MotionVFX’s mFlare 2 Plugin

MotionVFX – mFlare 2 33.9 MB. MFlare 2 is the #1 lens flare plugin in the world. Your appreciation of our work made us very proud and motivated to create even better products in the future. As a thank you, we give you this free template that presents the power of mFlare 2 in a trailer project. Check out the Mac Torrents Deal Network! MFlare 2 is a new FCPX plugin that allows users to create realistic organic lens flares that can be automatically tracked without having to use key frames. Lens flares, when used sparringly (unless you are J.J. Abrams), can help create a bit of atmosphere and magic to an otherwise boring shot. MFlare 2.zip (download) Filesize: 38.42 MB. SundryFiles.COM is our only File hosting service. That you Upgrade to premium download means a lot to us to maintain services. CAN NOT DOWNLOAD the file: You may encounter the following error: This site can’t be reached.sundryfiles.com’s server IP address could not be found. MFlare 2 is a plugin developed by MotionVFX, a European developer who is becoming an important competitor of FxFactory. Its plugins and effects are of a very fine quality and most plugins have mocha tracking technology on board. That is also the case with mFlare 2. MFlare 2 lives in the Effects category of Final Cut Pro X’s Inspector. MFlare 2 is the #1 lens flare plugin in the world. Your appreciation of our work made us very proud and motivated to create even better products in the future. As a thank you, we give you this free template that presents the power of mFlare 2 in a trailer project.

By: Braden Storrs

MotionVFX recently released their long awaited updated to their excellent flare generator suite mFlare, aptly called mFlare 2.

Funny enough I believe the original mFlare was the first plugin I ever bought, 6 years ago, after I saw this promo video. I was sucked in by the pretty lights, haha. I’ve used it on a number of projects since though, including compositing into some still photos for some magic wand effects. Flares can easily be overdramatic and overused but with prudent use can enhance a drab shot. It all depends on the subject matter of course.

The level of control in crafting the flare in mFlare was always impressive to say the least. If you could dream it you could make it. There were some drawbacks though to the original. To edit the flare you had to open a separate interface outside your composition that didn’t update in the composition till you finished editing, so you couldn’t see the changes in relation to the image. This led to a edit>check>edit>check workflow. Not efficient. Switching out to a different flare was not as easy as it could be. In FCP X there was no tracking option except manual. Tracking in Motion was limited to the strength of Motion 5′s point tracker. Which isn’t great to be honest (please Apple do something about that).

I’m happy to say that along with a UI refresh that is familiar but better, all of those shortcomings have been addressed. While you still have a separate window for a lot of the changes many of the controls have been added to the inspector. Including a new color picker tool. Also a big improvement is that any changes in the external window are immediately reflected in the FCP X Viewer. No more back and forth.

Switching out flares is super simple. You click on the “Presets” onscreen control button and click on a different one. The flare is replaced while maintaining all your settings and tracking info.

To customize a flare just click on edit and you can tweak to your heart’s content. There’s nearly endless combinations and controls for all the various flare types and elements. You can of course save your own customized presets.

The on screen position, size, and brightness controls are a nice addition too.

The previous version of mFlare had a form of brightness tracking but I found it’s uses limited without decent position tracking. It is now an option in the inspector and has a very helpful preview option to show your the luma matte it’ll be using. Using the smoothness and threshold sliders to fine tune it will give very nice smooth transitions to the flares.

Easily my favorite thing is the new tracker. It utilizes the widely praised Mocha Pro planer tracker and works right in the FCP X or Motion interfaces. MotionVFX’s implementation of it is the easiest tracker I’ve ever used. In conjunction with brightness tracking it is very powerful and can give very realistic results. I really wish I had this system for everything else I do in post. What they’ve done is allow you to use one tracker but reference multiple track points in time. So say you are tracking something but it is about to leave the frame, you can then choose another point, and another, etc. You just go to a point in the clip where the tracker is about to exit and reposition then tracker box over something new. The tracked position data is independent of the effects general position data giving you a ton of flexibility. Brilliant. It was even able to deal with an arm passing completely over my tracking point and it maintained the track no problem. Focus changes didn’t throw it off either which is something most regular point trackers have trouble with. Mocha for the win.

To test all this I took my son out and shot a simple little video of him wandering around a local park. I chose mostly natural looking flares for this video (not an alien invasion, haha) but it gives you an idea of what you can do. There are side by side examples of the flare shots at the end.

There’s a few gotcha’s and constructive notes I’ll add:

• If you track and then resize the clip the tracking data won’t always scale completely correctly. I had to re-track at the new scale level on one of the clips to get a good track.

•I really want the ability to resize the Edit/Presets window. It’s annoying because I want to be able to access more/all the parameters at once or see more elements/presets.

•Another thing is there were a few times where I hit track and it popped up for a second and then disappeared and I had to hit track again. Not a big deal but something to look at.

•Lastly I’d love to see support expanded to Photoshop/Affinity Photo and After Effects. Which I use from time to time. This tool makes it so I don’t need to leave FCP X but it would be nice to have when the workflow calls for it.

•The final thing is an issue with the FCP X plugin API I think. I have the same issue with Color Finale at times. The windows that pop up are specific to the clip you are working on. If you move to another clip without closing and reopening the Edit or Presets windows they will still be affecting the previous clip which could lead to unintentional changes. Just be aware. I really wish it auto updated to the new clip’s plugin when the clip is selected.

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Mflare 2

Review: MotionVFX’s mFlare 2 Plugin

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